"If you can't say something nice...don't say nothing at all" - Thumper (Bambi)

As a kid, I was never allowed to watch Bambi; my parents knew that it would lead to days of hysteria, endless sleepless nights and a hundred and one questions. I've still never watched it, purely out of fear that these things will happen, this time without the safety of my parents bed and a nightlight to help send me back to sleep.
But, despite never seeing the film, Bambi has actually taught me one of the most important lessons I've ever learnt: "if you can't say something nice, don't say nothing at all".

As a rule of thumb, if I have only negative comments to make, I try not to turn them into utterances. Sure, every so often, I slip up and I say something I end up regretting for the next 24 hours but usually, you'll only find nice words coming from my lips. I LOVE sarcasm but would never use it to purposely make somebody feel bad. I just find it easier to compliment people then to insult them, regardless of whether I mean it or not.
Unfortunately, some people tend to favour the insults rather than the compliments and I'm struggling to get my head around this.

Whether they do it to be purposely nasty or because they've placed themselves in an uncomfortable situation, people who say things venomously really do get my back up.
It's bullying, it's in most obvious form, and although some comments are meant with jest, I honestly do believe that it's easier, and a bloody lot nicer, to just keep your mouth closed.

A lot of the time, people don't even think before they make a comment; I'm one of those annoying people without a filter between my brain and mouth but even I know hurtful comments do nothing but cause upset. When I dyed my hair orange, the amount of abuse I got in the street was ridiculous. But it came from strangers, from people who didn't, and shouldn't, care about the after effect of their words. They get to go home, watch Jeremy Kyle, and forget about how their comments made me feel and good for them. The only reason they're going to address their comment is if they're evaluating how to become a nicer person - I'm the least of their worries. But when supposed friends make nasty comments, that's what gets me.

They should know how rude it is to pass comment on something such as weight, sexuality, career choice, what you had for dinner. But again, I'm shocked to see that very few people think about the consequences before they open their mouth - even when they know the person they're talking too.
At a wedding yesterday, I felt reasonably good about myself. I haven't had an excuse to dress up, wear heels and apply my eyeliner until it reached my hairline for a really long time; it felt good putting effort into how I looked and as strangers started complimenting me, I began to get a buzz. And then the comments came.
Again, regardless of whether the comments are made in jest, I think people really need to address how their words effect others. Somebody made a comment about my hair reminding them of Ariel, from The Little Mermaid. "I think you look more like the Sea Witch in that film" came a response. Cool.
At first, little jokes like this used to make me laugh but the situation in how it was said, did nothing but get my back up.
Then came the comments about weight. I've suffered with my weight since I was 13 and I'm now in a position to say I'm comfortable with how I look; okay, so I have an issue with my arms and I really hate my thighs and hips but FINALLY, the thought of somebody seeing me naked in the light doesn't make me feel as sick as it used too. But none of this matters because all it takes is one comment from one person to knock me back into that place again. Oh, and there it was "I might become bulimic for an hour, see how much food I can fit in." - sure, a sweeping statement to many, but for me, that was like a dagger through my stretch-marked stomach.

The entire day, not one single nice comment came from this person's mouth. When speaking to me, most words were laced with malice and spite, all for no particular reason. I hadn't been nasty to them or uttered a single word aimed to insult them.
It's just amazing how one person's negative actions/words can totally ruin the precedent of a day. Weddings are supposed to be a celebration of love, documented with beautiful photographs and with amazing memories. Instead, I'm flicking through Facebook photos scrutinising my make-up and wondering whether or not I share any resemblance to Ursula, the Sea Witch.

Although rather selfishly I've focused on myself throughout this, it seems that the negativity has spread worldwide.

Recently, Twitter has been like a playground for cyber abuse with strangers sending other people threats, of rape and murder, when all they should be doing is enjoying their lunch break. When did a social media platform become so negative? I signed up four years ago to keep up to date with my friends - two years ago, something clicked and I realised I could be using it to showcase my blog and to connect with people in positions that would help me. I've met many of my heroes, and some of my best friends, through Twitter and have never even thought to bombard somebody with horrible Tweets or to abuse somebody simply because they're in the public eye. This sort of behavior is so foreign to me, that I'm still genuinely shocked when I see it happening.
Caitlin Moran wrote an explanation on the reasoning behind the #twittersilence she arranged; an organised Twitter silence to alert the higher powers of Twitter that if something wasn't done to step up how abuse, and abusers, is treated then Tweeters would just find a new platform. Shockingly, this led to even more abuse from those who thought the #twittersilence was giving into the bullies. A simple act of solidarity didn't even need to be explained but the sheer naivety, and nastiness, of some people means that we're now living in a world where even positive actions are having to be explained.
Why can we not just be NICE?

There's really need for all of this negativity; why do we purposely try to make people feel like shit? Why do we even think our words matter enough for us to speak them?

Social media, although this cannot be blamed entirely, has given every single person out there a voice, and whilst that's brilliant in some aspects, people seem to think that suddenly, it's okay to use this voice to cause trouble. I see it everywhere: YouTube video comments, blog posts, Twitter, Facebook...there's so many platforms for people to shout from. It's a horrible world we live in when you're scared of Tweeting something, just in case a stranger seems to think it's okay to pass a negative comment.

I can only share my opinions but I am going to make it my mission to say at least one lovely thing per day. In fact, make that five. Whether it be a nice comment on a Facebook photo, an e-mail fan-girling to my writing hero or a Tweet, spreading love towards somebody having a bad day, I'm going to make certain that my social media platforms are radiating nothing but positivity, love and kindness. In fact, when I eventually have kids, I'm only to deter them from getting Twitter accounts (or whichever 'cool' social media platform they're using) and force them to watch Bambi instead.
I think we can all learn a lot from Thumper's words...

Ebony Lilly...x

September, as I know it, isn't a very exciting month. It's back to school season, end of festival season and the beginning of horrible weather season. But September 2012 was alright. On August 30th, one of my best friends gave birth to the most beautiful baby girl I've ever set my sights on. From her silly hair to her chubby little cheeks, there is nothing about this kid that doesn't exude perfection. 10 months later, she's a proper little human being who smiles when you blow raspberries on her tummy and pulls a grumpy face when you won't let her watch the television. Ebony Lilly is going to change the world, or at least the parts around her, and I'm going to be watching every single one of her steps. I'm well aware she hasn't even taken her first yet and the fact she can't read is a bit of an issue but in six years time, when I'm forcing her to read books like 'To Kill A Mockingbird' and 'Jane Eyre', I'm also going to make her read this. Just so she can realise how many lives she turned upside down when she took her first breath:

Alright kiddo,

I know this is a bit premature given that you can't read, walk or even use a computer but one day you'll get what this is all about. When I first held you, you being three days old and me holding back happy tears as your little eyes took in my mental hair and stupid mole face (blame your Mum for that nickname), I made a secret pact with you. Well I made two, one being to always remind you that John Lennon is in fact the greatest Beatle of all time, but the other one being a bit more serious: your Mum has provided me with enough laughter, support and friendship to last a lifetime and I owe her big time for the amount of times she's helped dig me out of horrible situations - when you're old enough to know, we'll tell you the Superdrug story but please don't think any less of me. I was really drunk when it happened.
Your Dad is brilliant and I know he'll protect you beyond belief but there's going to come a time when your Mum is going to need a little bit of help from her friends. Whether to tell you no when you ask to get a piercing (I mean, of course I'll sneak you away from your Mum's watchful eye and let you get it done anyway but she doesn't need to know that) or interrogate your first boyfriend, I made a promise with you, and her, that I'd help out. Trust me, you're going to cause your Mum and Dad a lot of grey hairs as you grow up so the least I can do is try to minimalise the damage, right?

Anyway, the point of this isn't to make myself cry, which I seem to be doing anyway, but it's to give you something to read when you're grounded for the first time. Which I can see being very soon - you're pretty cheeky already, madam. When you were born, I realised I couldn't ever preach to you about the importance of ambition or following your dreams if I wasn't taking my own advice. So at this very moment, I'm living in London, 64 miles away from you, attempting to forge a successful writing career and maintain a level of control over my own life...I'm not sure either of those things are happening at the rate I hoped for but it's an adventure. I'm learning a lot of important lessons along the way so I thought I'd share them with you. God knows you're not going to listen but I like to think you'll pay a little bit of attention...

Whatever you want to do with your life: do it. You're already headstrong and stubborn so I know you'll have no problem with this but just remember that you possess enough power to change the world. Today, I saw my Twitter feed blow up as people expressed their admiration for Wendy Davis, a remarkable woman who has literally changed the world. You can do that too, if you want. But if you want to work in Tesco for the rest of your life, you can do that as well. But just a warning: I'm going to push you to be the greatest possible version of yourself. If you choose Tesco, you'll make store manager in a week.

Please please please respect your education. Don't bunk lessons because your teacher's an idiot. Always revise. Go to your exams. Study hard.

Keep a diary, kid. One day, when you're twenty years old and in a lonely, over-polluted city, you'll read the musings of your teenage self and it'll give you enough motivation to keep pushing through with whatever journey you've decided to take. Write down every single memory as it happens, take lots of photos and document everything. The hand cramp will be totally worth it, I promise.

Do not underestimate the power of music. Your Mum maybe a big Rihanna fan but I'm going to start making you mix-tapes as soon as you're old enough to appreciate the beauty of The Kinks, The Doors, Madonna, Bowie, Alanis Morissette and many others. Get your hands on as many records as you possibly can of as many genres available. Do me a favour and please never buy a Flo Rida song though, yeah?

Boys are going to come and go, trust me. You'll get enough attention from them as you get older but just wait for one that really makes your heart pound and your stomach turn to butterflies. Your Mum and Dad have been together a really long time already, so take note of what they're doing right. But just be picky, for Gods sake. You're going to be way out of every boy's league anyway so maybe there's not much point in even trying to find one good enough for you. Become a nun instead.

Body modification is cool; I have enough tattoos and piercings to tell you this but just think really hard before you mark your body forever.

Vodka is not your friend. Neither is whiskey. Or wine. Or beer. Just don't drink alcohol. But if you are tempted, make sure you've got somebody sensible with you - preferably me. There'll be none of this drinking cider in the park with boys two years older then you malarky.

Appreciate EVERY single thing your Mum and Dad do for you, okay? I know they're annoying and really mental but they brought you into this world so do me a favour and show you're grateful, please.

Sorry to be the bearer of bad news but people are going to hurt you. Fuck, you're going to hurt people as well without even realising it. But don't let one bad experience stop you from trusting again. Your heart will heal but just forgive as gracefully as you possibly can. Don't hold grudges, they'll just give you a headache.

Don't bleach your hair. Your Mum will tell you this one but just in case she doesn't: green, orange (unless you're me), blue, pink and yellow hair don't look that nice once it's started to fade. Just stay natural.

Say please and thank you.

Read as much as you possibly can. Words are my greatest love, obviously aside from you, and I've learnt so much from them. You're already showing signs of being a bit of a geek so embrace that. Books are cool.

Love, a lot. And be kind. Gosh, Ebony if there's one thing you take from this, if you choose not to take my advice when it comes to alcohol, please just keep this in mind. Be kind, be lovely but don't be taken for a fool.

I know I've sort of limited you a lot here but trust me, it'll be worth it in the end if you listen up. By the time you're old enough to read this, I'm not sure what I'll be doing with my life - hopefully writing for a respected newspaper and earning enough money to see you at least twice a month, but just know that wherever I am, I will always have your back. You'll always have my support, regardless of whether you want, or need, it so don't be scared to tell me things you feel you can't tell your Mum and Dad. Just don't tell me you like Rihanna.
I'm going to make sure you experience as much of this world as I can offer you, whether that be in the form of holidays, gigs, books, words, adventures, train tickets, advice or life lessons. Your Mum and Dad have got to do the serious stuff so don't hold that against them but they've made sure you've got enough people around you to provide the fun side of things.

Ten months old and you're already changing the world, little one, so I can only imagine what you're going to be like by the time you reach my age. Just be cool, Ebony, and don't ever be embarrassed by anything I do...because it'll only make me do it more.

I love you a ridiculous amount; thanks for turning my world upside down without forcing me to go through a really painful labour. I'm sorry for the amount of The Beatles I will make you listen to.

xxx

IAmMusic.TV: Paloma Faith in aid of WarChild

Paloma Faith is an icon. Whatever your take on contemporary music is, there’s no denying that she’s up there with artists such as Jake Bugg, Frank Turner and Plan B. A part of a new generation sent to change the way we view the world via the medium of music. Her journey through the music industry has been a tough one but one she has completely worked for. In turn, she’s bringing with her a message regarding work ethic, passion and determination. Using her talents for good, instead of evil, she’s following in the footsteps of artists, who have previously walked the same path as she is walking right now, such as Billie Holiday, Etta James and Ella Fitzgerald…but she’s paving a personal route, in her own sky-scraper heels.

With artists like Paloma Faith in the mix, my faith in the music industry remains intact. Can we just forget about David Guetta now and lets stop replaying ‘Take Care’ by Drake and Rihanna. Lets focus on the artists who are in this industry, not for the fame, but for the passion. Because they can’t get through a day without creating a melody. Because they speak in lyrics. Because it’s not blood that runs through their veins, but music. Music and a shared aspiration that the world could be a better place… but only if we sack off Baauer from the hit 40 UK Chart Show.

In the last 18 months, I’ve followed Paloma Faith’s career intently and I’ve seen how much she’s progressed as an artist. Ever since she released her first album ‘Do You Want the Truth or Something Beautiful’, I’ve witnessed her perform a few times and the intensity of one of her shows is something you can only experience. From the very first time I sat in Union Chapel, watching her perform her first album to a crowd so deeply intrigued by the performance in front of them, to Sunday night, where I sat in the same spot as I did two years previously, watching her perform songs from her second album, ‘Fall to Grace’ to a different crowd yet who were equally as intrigued, I feel as though I’ve been looking in on her journey and suddenly, she’s transcended into a figure the music industry so urgently needs.

As she took to the stage, accompanied by her band members – a team so close, it’s almost like they’re family – and backed by a string quartet, the crowd went silent, ready to immerse themselves fully into the night that lay ahead of them. That’s the thing with a Paloma Faith concert, you never quite know what you should be prepared for…

The night was held in aid of War Child, a dedicated charity created to raise funds for children who are victims of war. The charity’s work stretches across the globe and there’s no limit to the help and support they provide. Produced by American Express, the night was the first of their Platinum Cashback rewards – an idea I can’t help but hail as long awaited. The ethos behind the night is that you spend £30 on a ticket to the show and then on the night, you can either take the cash back in the form of an American Express gift card or you can donate that £30 to War Child. There’s no guilt placed on you if you want to take the cash back but the way I see it is that you’ve spent £30 to see a truly spectacular show AND you’re helping to save someone’s life. I mean, what else are you going to spend your money on besides that pair of boots you saw in the Office sale that’ll be out of fashion by April?

With Nina Nesbitt as the support act for the evening, the night began when Nina picked up her guitar. Quirky, talented beyond belief and completely holding her own on the stage, Nina is everything I love about the music industry right now. Girls fighting back, doing their own thing and proving that Geri Halliwell kick-started a major world changer the moment she uttered ‘girl power’ for the first time. At only 18, Nina possesses a level of wisdom that shone throughout the crowd as she performed songs straight from her heart. It’s without a doubt that Nina is an emerging talent and I feel so honoured to have seen her perform in a venue such as Union Chapel. Her music is honest, personal and she had the entire crowd in the palm of her hand as she giggled her way through a badly tuned guitar.

After a short break, Paloma took to the stage to perform; in no way different from every other time I’ve seen her live, she had the crowd speechless as she glided her way across the stage and introduced the night with ‘Let Your Love Walk In’. Despite a few errors, Paloma soon announced that she was having trouble with the set list as she had only performed the songs in such a way once before: stripped back, acoustic and completely raw. While there wasn’t a dry eye in the house as she performed songs such as ‘Agony’, ‘When You’re Gone’  and ’30 Minute Love Affair’, within seconds she had the crowd singing along to the song made famous through the John Lewis advert, ‘Never Tear Us Apart’. That’s what I love about Paloma’s music; it can lift you up and bring you back down without you even realising it and as you find yourself dancing along to the music, you’re left wondering why your mascara is halfway down your face.

As she continued to perform songs from her album, she wowed the crowd with her performance of ‘Just Be’ – a modern day love song that is refreshingly honest. Telling the story of a couple so in love that they can admit they sometimes get a bit pissed off with each other, she gave every singleton in the audience a little bit of hope that, someday, they’ll find someone who finds their annoying habits endearing. Followed shortly by ‘Streets of Glory’ a personal favourite of mine, I was completely speechless as she performed the song with such perfect execution, despite the entire crowd holding back tears. Paloma proved last night that she’s not just a brilliant performer but a true wordsmith as well, with lyrics such as “you can’t teach because you never learn” and “the more you talk, the less it means”…which is why it just seemed completely necessary to let Paloma sing away our Sunday evening. Her songs capture every single human emotion and I was left wondering whether I could get through life just by playing her album when I’m required to speak. What I try to say in 20 minutes, Paloma proved she can cover in a simple three.

A true rollercoaster of emotions, seeing Paloma Faith perform live leaves you questioning reality and wondering what you’ve been doing with your life up until that very moment. She’s a typical girl from Hackney who drinks ginger and lemon tea on stage and swears like a trooper (when her Mum isn’t present at a gig) but she possesses an insane amount of knowledge when it comes to the state of society. Her music reflects that and in turn, her audiences leave from one of her shows that little bit more aware of what exactly is around them. As she performed her song ‘Black and Blue’, I could see the crowd studying the lyrics like they were required to sit the biggest exam of their life afterwards. It says a lot about an artist when they can capture the attention of an audience like that.

Watching Paloma perform instilled a level of calm within me that I only really understand after a couple of glasses of wine; with the likes of her flying the flag for British music and creating waves I know the future generation of musicians will be splashing around in sooner or later, I have 100% faith in Ms. Faith to bring the music industry back to the level it should be at. Forget artists shedding clothes to get attention, Paloma Faith managed to capture the audience with just her sheer presence upon the stage.

That time I sat down with Delilah for IAmMusic.TV...

When Aretha Franklin and Annie Lennox put their heads together and created ‘Sisters Are Doing It For Themselves’, I doubt they would have had the female artists currently tearing up the music scene in mind. However, this doesn’t make their genius lyrics any less relevant and as I sat down with Delilah, prior to her performance at LoveDough, I couldn’t help but think that us girls are smashing speakers up across the world in our own right. It’s almost like Franklin and Lennox pre-empted this rise up of creative women because with artists like Delilah in the mix, sisters really are doing it for themselves…and for the music industry, at the same time.

Having worked with artists such as Chase and Status, Wretch 32 and Skream, I can understand why her first single reached the top ten without even having an official release date. “With a release date, we could have maybe gone for a top five but we had a top five record album. It’s been good, it’s been organic. ” Humble as well as ambitious, Delilah is in possession of a talent the music industry so desperately needs. She’s aware she’s good at what she does but understands that there’s always a higher level for her to progress too. “I’ve been in the studio working on the new album a lot, I want to get it out by the end of this year. I’m excited about it; it’s dark, energetic…very me, but it’s also a progression.”

I understand ambition but I’m in awe of how determined Delilah is. It’s a rarity to find an artist totally focused on pursuing a career in an industry famed for being so fickle. “I’m not the biggest artist in the world yet but I feel like I’ve gained a lot of respect; I haven’t had a lot of negative feedback about my last record and considering it was the first one, we made all the mistakes we could possibly make so I’m quite happy with it.”

“Singing has always been my dream, there’s loads of things I’d love to do but I’ve always been someone who’s quite good at picking things up quickly. I’m quite driven and competitive…I don’t like to lose and I could have done whatever because I would have fought to make myself the best at it.”
Role models are hard to come by these days; the moment you’re in the public eye, your entire life is publicised in newspapers and magazines, every accessible medium possible. As I grew up, I saw Victoria Beckham’s battle with eating disorders documented on a daily basis, Britney Spears’ breakdown and headlines connecting drug use with practically every person to come out of the Big Brother house. However, this is yet another reason as to why Delilah is part of a revolutionary generation; it’s not a case of “bad publicity is better than good publicity”, it’s about doing what you love and making sure you’re the best you can be at it. As I chatted with Delilah, it struck me that I’ve never had my eyes opened to that sort of attitude…and it’s refreshing to look at it from this new perspective. Another reason why Delilah is providing the music scene with an attitude never really embraced before.

Recently within the music industry, it’s been a case of artists covering the same stuff we’ve heard before or throwing a rapper into the mix to shake things up a bit. But Delilah’s type of music is fresh, it hasn’t been churned out previously and it’s the perfect type of sound to hit the ever changing music industry because it has longevity. “I try to do something that isn’t throwback and doesn’t sound like an era. I’m a huge fan of voices and people who have a tone so I try to keep whatever it is in my voice that makes me sound like me.”

The current music scene is overcome by super talented women, girls embracing everything Geri Halliwell shouted about back in the 90s. FINALLY, girl power is taking over. “I have a lot of respect for artists such as Jessie Ware, Lianne La Havas, Alanis Morissette but I’m aware we all do very different things. For me, Amy Winehouse was the person who encouraged me into music.”

I always find the subject of Amy Winehouse quite a hard subject to talk about; she’s a musical legend, talented beyond belief and throughout my life, I’ve always listed Amy as one of my biggest influences – she did what she loved and did it well, the ethos behind Delilah’s music too.  “I was really influenced by her. She looks different from other people and so do I. She sings weirdly and so do I. We’re both from Camden and she’s leaving such an amazing legacy behind her.”
As we chatted, I realised Delilah has so much more to offer the music industry than I originally thought. She knows her stuff, she’s passionate and she’s always ready to embrace the different angles music consists of. “There’s a lot of people who can sing and I’m so aware of that but I just want to do something different. There’s probably millions of people who can sing better than me but they can’t sing the way I can. I’m focusing on individuality.”

There’s never been a better time for this sort of focus, what with the music scene embracing people like Iggy Azalea, Angel Haze and Kendrick Lamar. It’s not about doing what’s already been done three years previously, it’s about setting a better example for future generations – it’s about showing the world there’s more to music than Rihanna and Pitbull taking over the charts every Sunday. “I’m not really in the position to help people out but I can offer advice; I’m not where I want to be yet so it’d be crazy of me to think I could delegate the time and effort to take someone where they want to be but I have been doing this since I was 17. I know a lot about creating a sound. I think it’s important for artists to stick together a bit more.”

“There’s a few new artists massively capturing my heart; there’s one girl called Naomi, she’s hasn’t really got an artist name but I met her the other day and her voice is incredible. I’m going to do everything in my power to help her out.”

Whilst there’s no denying that she’s obviously talented, I love that Delilah’s honest enough to admit that she’s still learning and kind enough to want to help other’s out. It’s a rare combination in an industry full of artists all who assume they’re something special. Music is literally the love of her life but it’s not just singing that she can turn her hand too. “I’ve been playing piano since I was 12 but I was never classically trained. I started at about 6 or 7, stopped and then started at about 12 to 14. I stopped again, started smoking a lot and partying as you do when you’re 14 to 17 but I got back on it. I’m not as good as I could be but it’s going to take a practice.” I thought she was just being competitive when she said she liked to be the best at everything she tried out but it’s clear that competition isn’t the case; just pure determination, ambition and reaching heights others only dream of hitting.

“My main focus this year is creating a new body of work. I’ve got a couple of gigs coming up and I’m doing Isle of Wight Festival and Exit Festival as well but ultimately, it’s just about where this album takes me. Baby steps though.”

After our chat, I walked away with a little bit of a girl crush on Delilah, a crush I’m not afraid of admitting too. She is truly something spectacular; without a doubt, Delilah’s music is going to be providing the music scene with something new and exciting, a type of sound other musicians will soon be holding amongst their influences. Her only downfall? She’s a Kanye West fan…

“I don’t want to marry the guy, I just think he’s a musical genius. He doesn’t come across the best but I can’t deny his musical talent. As a lyricist, how he plays on words…he makes you listen to what he says and how he says things. I like that he’s a twat.”

IAmMusic.TV: you know that time I interviewed Vince Kidd?

“I got a bit of CD in my eye once and I have the worst eye-sight because of it; I was breaking a CD because I didn’t want my Mum to hear some of the lyrics I wrote ’cause they were dirty so I broke it and it pinged in my eye.” many artists say that music runs through their veins, but only Vince Kidd could say that music has literally embedded itself within his body. With two days to go before his performance at UD Live on 18th April, I caught up with the fella behind ‘The Voice’ and ended up falling in love with everything he stands for. What we all saw on the telly talent show is half of what Vince Kidd is capable of. With a mind a merge of creativity and business, it’s only going to be a matter of time before Vince, his army of fans and his music have taken over the world. Move over Flo Rida, Vince Kidd is in town.

“You have a massive problem with Flo Rida, don’t you? I love his song about blowjobs…” the precedent is set for my little chat with Vince and I’m well aware that I’m going to be in stitches for every second of it. It’s clear from the outset that he knows his stuff. He’s battled his way to where he is now, won over Tom Jones, Jessie J, Danny O’Donaghue and Will.I.Am on ‘The Voice’ and with plenty of touring experience behind him, his performance at UD Live is going to be a walk in the park. “I love being rebellious, I piss a lot of people of but fuck it, because I didn’t get this far by compromising. I never compromised when I was a little boy so I’m not fucking compromising now it’s my music.” it’s this attitude that has seen him attract a massive following, with a huge number of people admiring his honesty and feistiness when it comes down to his music. In this day and age, with so much music being created, you need to stand out. And if you don’t notice Vince when he walks through the door, you sure as will notice him when he opens his mouth.

It’s refreshing to come across an artist so certain of his purpose, so fixated on a goal but yet so clued up on the obstacles he’s inevitably going to face along the way. “When it came to my first E.P ‘Sick Love’, I listened to people because I was still learning the ropes with how to be business and be creative at the same time.” With ‘Sick Love’ marking Vince’s place in the music industry, it must be quite hard to shake off any stereotype/rumours started after his performance on ‘The Voice’.  “I was interviewed by somebody the other day who was like “you came from The Voice?” and I was like “yeah but I didn’t come from The Voice, I was involved in music beforehand” but if that’s all people have seen of me, I think they would assume that I’m a puppet, not that musical and just a singer as opposed to being 100% involved in my music. Which I am. I love the creative side of this business, it’s what fucking turns me on.”

I’ve always questioned television talent shows, purely because I used to think it was the easy way into a really hard industry to break. But witnessing how difficult it is to be heard in a business where all everybody wants to do is sing, I completely understand the justification of why shows like ‘The Voice’ and ‘The X Factor’ are seen as an entry point. And chatting with Vince, I realised that it’s not just about a starting position, it’s the exposure to potential fans as well. “It didn’t bring me connections ’cause I already had those but I learnt a lot. I didn’t need to go on there to beg for a music producer but it gave me amazing fans. My fans are so selfless. They remind me why I’m doing this. ” and for anyone who Tweets Vince, be warned. “In this day and age, Twitter means you can’t be mysterious but you can use it wisely and it is a chance to get to know your fans. Sometimes if I’m bored, I stalk their pages. I read their tweets and see their mannerisms. We all talk the same way now, it’s weird.” He claims to be “a bit of a lone ranger”, but given that a new ‘Vince Kidd’ language seems to have been discovered, I’m not quite sure how much of that I believe.

“The only thing I didn’t like about going to stage school was that they’re trying to make you like somebody else and I was never like that, I’ve never fitted in. I’ve always had friends but I mean in the sense like the performance side of things, I’ve always been different to everyone else. I didn’t fit in with the theatrical side of things, I’ve always been a bit weird.” wearing a string vest, sporting iced blonde hair and numerous piercings, I can understand why. But the beauty of Vince Kidd is that he’s confident within himself and he’s an ambassador of being comfortable within your own skin – a lesson many young people today need an education in.

Part of a the next generation of musicians to be combating such a tough industry, Vince grew up surrounded by artists such as Etta Bond, Delilah and Vanessa from the Saturdays. “It’s wicked, it’s not competitive because we’re all mad different. One of our guys in our friendship group plays Michael Jackson in Thriller, so we’re all in different lanes. Vanessa’s in a girl band and Etta is doing something on a completely different spectrum, so it’s not competitive at all.”
So it must help being surrounded by people who understand the pressures of the music industry and the lifestyle it brings with it? “My family sort of do, but it’s a lost for them to get their head around. Sometimes I’m waking up as they’re coming in from work and my Dad’s a bit like “what the fuck?” – he always says to me “you haven’t worked a day’s hard work since you were 16″ but they’re quite supportive though. My Mum’s really supportive cause she’s a typical caring Mum but my Dad’s like “yeah, I’ll give you some credit when you bring home some money”, that kind of thing.”

It’s not just making music that Vince loves, but listening to it as well. “I’m really dramatic when it comes to music, my Dad used to call me Dramatic Harry because I love people like Michael Jackson and the great rockstars. But growing up, I listened to a lot of Amy Winehouse, I love her and she was just completely herself.  She just made the music she wanted to make and you’d hear her on the radio and it would seem a million miles away from all this Flo Rida bullshit.”

By the end of the interview, not only have I managed to get Vince to admit his true feelings about Flo Rida, but I’ve also received an invite to UD Live (“come and find me at the bar, we’ll drink tequila!”) and discovered his latest project with Vanessa, from The Saturdays, could cause a little controversy. “May 25th sees the release of my 2nd E.P that I’m dropping which isn’t going to be a commercial release because I just wanted to release something for my fans prior to putting the lead singles out, like a pre-release. It’s got some cool collaborations it though, we shot a video last week with Vanessa which was great. It’s a very different side to her, which I love but it could cause a little controversy. I can’t say anymore then that as I can’t give too much away but the video will be out soon.”

With UD Live in two days time, I wondered Vince if was nervous about performing – wait, this is the guy who thrives off of touring, worships his fans and loves the drama of performing. Of course he isn’t “I’m excited. I love performing and it looks like it’s going to be a really good night.” — and a good night it will be, especially when I get Vince drunk  enough for him to admit to the controversial aspects of his upcoming video…

IAmMusic.TV: Tape Deck Heart - Frank Turner

“Blacking in and out in a strange flat in East London, somebody I don’t really know gave me something to help settle me down and stop me from always thinking about you.” – I don’t know about you but when the opening track to an album touches on drug use, East London and constantly thinking about somebody, it usually has me hooked. There’s something relatable about doing stupid things in random places to help you in doing an ‘Eternal Sunshine of the Spotless Mind‘, right? Or is that just me?

Anyway…’Tape Deck Heart’ is probably the best thing Frank Turner has ever created. Unless he’s a dad, in which case his offspring will always be the greatest byproduct, but in a situation where he’s childless, ‘Tape Deck Heart‘ wins. I’ve been a massive fan of his since about 2008, when somebody I didn’t really like posted the link to ‘Reasons Not To Be An Idiot‘ on their Facebook. Now, I really wanted to dislike it, to be able to slate their music taste like the judgemental 15 year old I once was but that was definitely not the case. I fell in love with Frank’s philosophical honesty, his lyrics that remained in your head for days after you’d first heard them and the way the majority of his songs always sound like a drunken rant. Although every single one of his albums have been completely on point and beautifully created, ‘Tape Deck Heart‘ is one that particularly stands out for me, as my favourite. Maybe it’s the mix of acoustic-y ballads such as ‘Good & Gone’, anthemic tunes reminiscent of an early creation of The Sex Pistols (before they got too ‘Never Mind The Bollocks‘) like ‘Recovery‘ for example and songs that draw inspiration from Frank’s own political musings – ‘The Fisher Kings Blues‘ being my favourite; “and though it seems a little strange to me, people never really change, it seems. We’re all broken boys and girls, at heart, come together, fall apart.”
I mean how can you listen to these lyrics and not feel the need to high five the person next to you, simply because it seems song writing is back ON track? Forget whichever rapper is top dog at the moment, singing about popping bottles or going hard because he won’t go home…Frank Turner has just created one of the most beautiful albums I’ve witnessed to be released in the last 20 years and it’s time we all played it, REALLY fucking loud. Let’s take solace in the fact that we’re all a little bit messed up, we all like to drink too much and end up confessing secrets to a stranger in a dirty old bar and we all regret it the next day…but Frank Turner has just released an album that says everything we all need dutch courage – or five whiskeys – to say. Finally we can all just be honest with ourselves whilst playing songs such as ‘Plain Sailing Weather‘ and admit that it’s okay to be a bit of a fuck up – because Frank Turner has admitted it too.

‘Wherefore Art Thou Gene Simmons?’ is another track that stands out for me, not only because it draws reference to the KISS member but because it’s a song that truly gives me goosebumps. Asking questions such as “does your mother know who you are now?”, this song makes you look inside of yourself, question exactly what Frank’s asking you and wonder how to make things better…it’s like self-help made simple, in a 3 minutes, 35 seconds song.

The entire album is ambiguous, and when you listen to it it’s easy to imagine it being played in an Irish pub in Stockwell at 2am in the morning, but it’s also easy to imagine Frank himself playing it at a festival at 6pm in the evening, to a crowd made up of drunken blokes confessing their love for their ladies and women looking for love in the form of the nearest bloke with a beer in his hand and the least amount of sunburn.

With ‘Tape Deck Heart’, Turner has unleashed a revolutionary album consisting of some of the best break-up songs and hedonistic pub anthems I’ve heard in a really long time. Similar to Billy Bragg, using metaphoric lyrics to captivate listeners, balancing heartache and humour with exceptional precision, Frank Turner has just created the perfect album for a Saturday night singalong, easing you gently into a 22 track headlock from the get go.

Destined for audiences over the world to be singing, crying and laughing along with it, I’m not entirely sure which genre ‘Tape Deck Heart’ best fits into: punk, folk, indie, punk rock… Frank Turner is one of the few artists who can maintain the camaraderie of  a genre so confusingly honest that you need a bit of a laugh to accompany the strength of the truth, whilst highlighting it’s more rebellious aspects as well. It’s not everyday an album is created that makes you crave the grittiness of the truth in such a dishonest world, alongside a pint of Guinness but I’m certain Frank Turner has just come to the rescue.

IAmMusic.TV: Zach Sobiech, the coolest dude.

Today, I was sat at work complaining about some of the shitty jobs I have to do in order to pay my bills; I have a cool job and I couldn’t ask for a better manager but sometimes, the fact that I’m not spending my days writing for a huge newspaper, overlooking the New York skyline, gets to me a bit. But then I saw this link pop up on my Facebook and suddenly, everything was put into perspective :::

http://www.upworthy.com/this-kid-just-died-what-he-left-behind-is-wondtacular-rip

Zach Sobiech is an absolute hero; the link above documents his journey in a way my words could never do. At 17, he was diagnosed with terminal cancer and his life was given a deadline. Instead of putting a limit on the amount of wonder he could create, Zach dreamt big and used music as something for his family to remember him by. He created ‘Clouds’ with one of his best friends and in turn, they created something truly spectacular.

Music totally has the power to change the world and Zach’s story proves this. His family and friends will ALWAYS have something to remember him by and his legacy lives on through his creations. If there’s one thing I’ve learnt from the above, it’s that you should never under-estimate the beauty of something so simple. Music is something we all take for granted, on a daily basis, but it’s also something Zach’s family and friends will never be able to listen to in the same way again. ‘Clouds’ is beautiful; it’s inspiration at it’s most raw and powerful source.

Yes, we all have bad days and sometimes, we spend a little too long focusing on the negative…this is completely normal, if you’re human. But watch the video and get to know Zach’s story; I, for one, sat in awe as I watched it and realised that it’s about time I showed some gratitude towards everything my life is about. I’m lucky I’m in the position to be able to be writing about Zach’s story, regardless of whether I’m overlooking the New York skyline or the streets of South London.

Thank you, Zach Sobiech, for creating something so amazing, so inspiring…and for letting us watch, and listen, to your story. So many hearts are being touched over the world right now, with your music.